Creatvitiy

Secrets are ment to be shared

Never say no to someone that is looking for a mentor. Most of the time, the limitation is not your time, but the ability of the protégé to consume the coaching and advice you impart. Almost always there is time between when you listen and share to when they come back looking for more. I also believe that it is the job of everyone to support others, regardless of their relative position in the community. Often people filter that they are willing to mentor, as to prefer only the absolute top talent. If we spent more time developing everyone, we might have better talent all around.

There is no shortage of ideas. This is one of those statements most do not agree with. Maybe we do not all come wired with this confidence, but I know it to be true. Being free with your ideas is the simplest way to enable the best thinking to flow into innovation. It also makes it irrelevant who owns which ideas – there are so many more it really does not matter. Secrets are the same way. There is no shortage of secrets to learn and sharing them does no harm.

Almost always, a protégé needs to have a certain level of experience to understand and make use of relevant secrets. It takes some time to make sense of the words you use or the situations you share. As a mentor you likely cannot practically compress everything for easy digestion. In fact, the simplest of lessons is often distilled to the point that it needs dilution. In the end, more often than not, the protégé is the gas pedal. When that pedal gets stuck, it will be your own inability to communicate at high enough bandwidth – help these folks get strapped to the fastest rocket ship you know.

People think that if they share what they know they will lose their power. This is the absolute wrong way to think about things. Creating a legion of individuals everywhere that grow to be giants is the ultimate in success and likely power. It transcends the walls of your organization and is the right thing to do for humanity. We need to take better care of each other.

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25
Oct 09

The state of the art is falling short of dreams

Among the publications of Moses King is a curious postcard titled N.Y. 11 Future New York “The city of skyscrapers”. John Timberman Newcomb, teacher at University of Illinois, Urbana-Champaign, wrote a piece titled The Footprint of the Twentieth Century: American Skyscrapers and Modernist Poems citing it as being published sometime in 1913-1918. I picked my copy up at a local store that sells old and used postcards.

N.Y. 11 Future New York "The city of skyscrapers" (Front)

The back reads, “Future New York will be pre-eminently the city of skyscrapers. The first steel frame structure that was regarded as a skyscraper is the Tower Building at 50 Broadway, a ten-story structure 129 feet high. There are now over a thousand buildings of that height in Manhattan, and hundreds in course of construction. The best known skyscrapers are the Singer Building, 612 feet height the Metropolitan Building, 700 feet high, and the Woolworth Tower which towers above them all at rises to a height of 790 feet. The proposed Pan-American Building is to be 801 feet high.”

N.Y. 11 Future New York “The city of skyscrapers” (Back)

For comparison, The Empire State Building is 1,472 feet including the spire, doubling what the 1900’s regarded as towering. It remains one of the tallest buildings in America and is currently number 15 world-wide. An impressive iconic structure, the Empire State Building is far from the vision that this postcard imagines.

Modern futuristic movies reach out into space (2001, Star Wars), explore extraterrestrials (ET, Alien) and robotic life (Short Circuit, Terminator). Others imagine close calls with the end of humanity (I Am Legend, Men in Black). Others yet explore genetic (Gattaca) and psychic phenomena (Minority Report). To make these movies commercially accessible they are kept edgy-plausible. In comparison, the minds of the 1900’s went far more radical imaging a metropolis of buildings stacked upon buildings with rail cars at high elevations and the possibility that a person’s world may be contained within one building. Movies have riffed on these concepts but at 750 ft, the Woolworth Tower was a far from the futuristic city New York was thought to become.

In general, the current state of futuristic thinking lacks radical imagination. The fiction has become too accessible offering probable possibilities instead of the kind of “what if” thinking that raises the societal consciousness – what could be beyond what we think.

There was a time that my work focused on managing technology diffusion and amplifying the volume on innovative activity at IBM. It is a space where there is literally no shortage of work to be done at every level. While people tended to focus on the tangible build out of infrastructure or web experience that facilitated innovation access, most failed to see how important the dream was. For example. “what if 30,000 employees were always running the n+1 version of the IT experience?” Dreams are lenses that provide a critical filter and check point as things naturally evolve and depart from the original motivations.

Making innovation accessible is an important part of the Darwinian selection. A more interesting topic is pushing innovation beyond current understanding. Quite simply, the majority of innovation today is incremental or copy cat – applying something from one domain to another in hopes it might be useful in a different context. Certainly interesting exploration, but not what I would call transformative. It seems real innovation comes in the form of individuals and when they move on for whatever reason, so does the dream. Who in your world is a dreamer that has started many fires but whose fires seem to be smothered or worse yet have burned the wrong forest?

Consider what is still an impressive demonstration, Jeff Han’s demo at TED in February 2006. It is 2009 and the best we have seen of gesture based and multi-touch, pressure sensitive computer screen technology and the best we can point to is Apple’s application in their mobile devices. More importantly, notice the first demo Han shows exploring human lava lamp interactions – more sophisticated than current interaction experiences that exploration is relegated to research scientists. The few hundred of audience members, purported to be some of the most connected in the world, were impressed and unmoved to imagine a different computing world, or if imagined selfishly horded.

What is beyond web-based anything, micro-blogging, social flows and the constant meme generation? I am not tired of the world we live in, but who is imagining the world beyond. If we simply evolve from here, the future will fall short, just like the New York and cities that never became. Some cite the state of the economical climate as the reason for such underwhelming thinking. I think it has been here for many years and it would be a good time to shake it up. If you are a dreamer, a futurist, a creative thinker, why is your volume so soft? The future is here and we need bigger thoughts.

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29
Aug 09

The pen to paper transformation

The physical practice of writing, drawing and doodling is at the heart of constructing high-bandwidth content for low-bandwidth fluid consumption. Yet, there are few people that actually practice these methods. Of those that do, the technology mediated construction of content vaporizes the artifacts associated with the experience. People still benefit from keeping a digital diary, but all the edits typical of pen are erased to leave a final pristine form.

Simplicity is often thought of as minimalism, however there are plenty of complicated things that appear simple – look into biomimicry for examples and inspiration. Simplicity is possible with more thoughtful design. Being thoughtful requires clear understanding of evolving thinking – a reason people love to study the work of others to help define their own.

Zack Arias has become a wonderful source of thoughtful content. Recently he posted a photograph of his whiteboard where he was thinking through the end-to-end experience that his clients have when working with him. It conveys an enormous amount of information that clearly transpired of a much longer period. The final product is something the viewer has the honor of appreciating, while Zack had the hard work adding and editing the realities of his business and priorities. Zack gets the transformation in how he thinks about his business, while the viewer simply gets to peer onto the artifact.

Dr. Michael Wesch has been working with the LiveScribe SmartPen which records the audio and markings of the author in digital form. It can then be explored and shared in video progression with others. The author gets additional benefit being able to play audio associated with any note by tapping. What is wonderful is that Dr. Wesch is also sharing how he filters, structures notes and draws relationships with his content, all in the context of the presentations of his students. This is an improvement over the whiteboard where the viewer is regulated to one state of a product. While a lot can be teased out with Wesch’s smart pen experiment, we do not in fact understand what he is thinking. We do not know his transformation.

A sample of what the action pad looks like.

Behance is a company that creates products and services that help provide order to what can seem like creative madness. In fact, they help bring simplicity – clarity – to the numerous aspects of thinking. They break things down into preparation, actions steps, back-burner thoughts and unlined but dotted work spaced that facilitate diagrams and writing the same. This is an example of encoding a structure to help replicate behavior. It comes from patterning after a methodology that mediates the structuring of creative thinking. As a tool, this method and its papers facilitate – we hope – more clarity and hopefully more simplicity. Again, there is no way to capture someone’s transformation, except possibly in his or her progression through the framework.

Now, if only more people took a pen to paper to write, draw or doodle. There is no shortage of content creation, but we lack the records of the experience. We snap endless photographs and videos to simply flood and archive the world. People love to say it is the journey and not the destination. What if there is no destination and not enough people are journeying?

Consider the complexities in your art or business. What are your most complex challenges? Can you gauge from your work products how evolved your thinking is? What we present is a direct representation of how clearly we think and evolved our thoughts are. Yet, the majority of examples of slides and diagrams show the garbage dump yet to be wade through. When was the last time you saw a white paper? When was the last time you read one? There is a class of people that know, writing anything at all puts you in a position of leadership. There is another class that actually reads it and sees the mess. The only way to come to deep understanding is to work though it, be it with a whiteboard, a SmartPen or Behance pad, and allow the transformation to occur with your thinking. It can be done digitally, but there is something more impactful in picking up a pen and placing it to paper, that captures the evolution as you think that represents to the author the journey and to all others, the result.

Creatvitiy / Life / Photography / Sharing — 2 Comments
8
Mar 09

Pro, Prosumer and Amateur

A few weeks ago, I tried the pre-paid mailer service purchased at B&H serviced by A&I. The roll was from my Mamiya, which I have always pronounced as mam-eye-ya but have since found out could very well be ma-mee-ya. The delay in mailing across the country, processing and back was painful. Especially when I walk by Duggal on the way to work which as far as I can tell does fantastic work! Opening the envelope returned a rush of excitement you get from hanging a freshly developed strips of negatives. You scan them with a flashlight as they dry, hunting for the images you remembered to be special. While the prints are not made to match the 6×7 ratio, the 4.5×6 prints make for friendly proofs.

Claw foot

Reviewing the negatives has me watching film scanner prices on ebay. Good ones are expensive and add one more thing to the equipment pile. It is hard for me to justify for anything beyond the love of my art. If I had a stable flow of income from photography, it would be a simpler decision. That said I am not sure I want to be a commercial photographer. Scott Kelby featured Syl Arena as a guest blogger a couple of weeks ago. Syl listed twelve things he did not learn in photo school. The last resonated with me most…

12. Resist the temptation to become a pro photographer.
The true meaning of “amateur” is “someone who works for the love of it rather than for money”. Choosing to remain an amateur photographer is no measurement of your skill or commitment to the craft. The photo world is filled with unskilled professionals. Thinking that you want to be a pro shooter because you really love photography is absolutely the worst reason to get into the business. I guarantee you, if a love for photography is your main motivation, the economic realities of the industry today will pound your passion into the ground. If, however, your inner voice continues to shout “this is what I want to do” after your passion has been beat out of you, then you are truly hearing the call to the trade. Let me be the first to say “welcome” and “I’m here to help”.

Consider that Prosumer is what marketers have coined to capture professional consumers that want more than “amateur” equipment but cannot afford or rationalize the purchase of professional equipment. Prosumer emphasizes the consumer, not how professional they are. While equipment is certainly part of the recipe, everyone knows they are but the paintbrush and the paint. Given my primary employment does not flow from my photography, I embrace the title of amateur.

Flourish

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31
Jan 09

Extending, reflecting and refining on the way to interesting

In December, I treated myself to something old but new, a Mamiya RZ67 ProII outfit. It is a legendary film camera with a cult following. There are many reasons to fall in love with a camera like this and I am just beginning my journey.

As a child, I remember sitting around the dinner table and discussing how the racket did not make the player. Tennis was a big deal in our house and while I knew the sentiment was true, this was the dawn of composite rackets, a move away from traditional wood frames. For me it was a conflict worth waging, because the racket was significant. The racket indeed matters, but without a competent player, it is no better than a lesser tool. The racket does not make the player, but a good tool in the right hands is magical.

Right before I found my new tool on Craigslist, I read an inspired blog post by Chase Jarvis around being successful in photography. It is always interesting to hear the secrets of successful people. People love to try to boil things down to consumable words of wisdom when in fact how someone ends up where they stand is far more complex. Nevertheless, a fantastic quote of a quote from an interview with Steve Martin.

Be undeniably good. When people ask me how do you make it in show business or whatever, what I always tell them and nobody ever takes note of it ‘cuz it’s not the answer they wanted to hear — what they want to hear is here’s how you get an agent, here’s how you write a script, here’s how you do this — but I always say, “Be so good they can’t ignore you.” If somebody’s thinking, “How can I be really good?”, people are going to come to you. It’s much easier doing it that way than going to cocktail parties.

Not only is that true, it is brilliant. I tend to be understated out of fear of being labeled arrogant, but I also enjoy seeing how other people perceive my work and me. If I were more aggressive, I would taint the viewing. I am interested in getting feedback and the best way in my mind is to let people react and then watch and listen. Be undeniably good.

In the first weekend, I shot the camera twenty times. I forgot what it was like to work with film and in this case peel-apart expired Polaroid. Everything takes time. With my Canon 30D, I can rip through hundreds of shots in an hour. My keep ratio is extremely high and I am brutal given the number of photos I am left to manage. The digital darkroom is now an extension of my mind and tweaking is effortless. We forget how much the camera and computer are doing.

My first few shots were first metered by my digital camera and then transferred to the RZ. Underexposed. Test. Underexposed. Test. Ah, the film. Then years of experience with film rushed over me. Film selection is a critical part of creating an image. Expired Polaroid peel-apart is a wild card. To further complicate things, I was metering with my Canon, which has fancy algorithms for referencing neutral gray. The lighting conditions were such that the best exposure would have been metered from an incident reading, where instead of looking at the reflected light off an object you read the light falling onto the object. Unfortunately, I was without meter and for my first weekend, compensating would have to do.

Chris Orwig, a faculty member at the Brooks Institute, was a guest writer on a wildly popular blog by Scott Kelby. Scott and team run a slick show keeping everyone in tune with Adobe products and photography. Most of their work is tool and gear focused, so inviting Chris to the show was an unexpected and genius move, because he is all about the art. Chris is a fan of quotes. It must be the educator in him.

The review [of one of Chris’ student’s portfolio] was fine, yet after it was over the student pleaded with Jay [Maisel], “Tell me, how can I take more interesting photos?” With missing a beat, Jay volleyed back, “Become a more interesting person.” Or said in another way, as Chris Rainier told me last week, “…at some point photography becomes autobiographical. In order to create better photos, sometimes we need to put down the photography books and magazines. Then we need to go out and to develop who we are.”

Who we are, shapes what we see.

Be undeniably good. Become a more interesting person.

My setup came with extension tubes, which enable lenses to focus at very close distances, excellent for macro (micro) photography, something I dove head first into last year. My still life rested atop a mantle. Extension tubes and my 110mm lens attached to an unqualified tripod. My Canon 580EX attached to the hot shoe. Test. Underexposed. Test. Underexposed. Test. Ah, the film. Compensate for the film, the extension tubes, and the power level of the strobe light. A color print of what is essentially a black and white subject. Slipping in a pack of Fuji black and white instant film, I nailed it. Unreal. Hours go by as you shoot, wait, look, adjust and expose. Over and over again, totally engrossed in the process, frame and science. The smell of the caustic Polaroid chemicals and the fascination with even poorly exposed shots. Now I remember why it was so amazing to get 10-20% of your shots as keepers. When you shoot film, you have no choice but to wait to see what was captured. The delay is part of the process.

I had been dragging my feet on a couple of purchases, a light meter and a good support system. This new outfit requires both. They have been among the best investments I have made.

My first photography class had everyone shoot slide film. Hardly anyone shoots slides anymore. The process of looking at images projected on a wall is no longer captivating to most. What is smart about slide film is that you basically get what you shot. While there is a development process, there is no magic going on in the darkroom in creating a print. The realized image is the developed slide. Instant films are much the same way. The image only exists in one place. There is no negative. You get what you shoot. Wickedly humbling and intoxicatingly addictive.

I am already a better photographer than before my Mamiya. Bringing me back to all the inconveniences of film informs how I construct my image. Those inconveniences are the pauses that leave you only to think, feel and reflect. Hopefully one step closer on my expedition to being undeniably good. More importantly giving me another window of exploration by which I become more interesting. After all, the process of capturing images is a method by which we interpret and reinterpret our world. That journey is its own therapy.

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12
Oct 08

Creating the future while minding your business

The last day of the Buckminster Fuller exhibit at the Whitney delivered many surprising moments of genius. Visionary and inventor, Buckminster is an innovator’s innovator. He saw the value of drawing upon interdisciplinary fields to inform a unique and faceted view of the world. His work is grounded in helping people with a do “more with less” attitude that extended to environmental impact. While it is easy to hand wave this exhibition as an old time futurist, his philosophy alone was worth absorbing.

There are many ways to go about change. Over the last couple of years, innovation has become all the rage. It is seen as the fundamental approach to growth. Companies exist to deliver value to customers through the creation of products and services. Through the innovation contributed by products and services companies compete for higher sales, larger market share and if they are lucky the hearts of their clients and customers.
Companies also consider innovating on their business a key model for transformation. Many change makers push against the system to get it to change, to innovate and evolve. In the end, the fastest and most exciting opportunities are those that usurp the existing establishment. They politely and subtly thumb the current way of thinking, in favor for an alternative approach, one that could change the landscape completely. Apparently, Buckminster Fuller saw this approach as the only viable approach to change.

You never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete.

R. Buckminster Fuller

The resistance to change, even from the most progressive is an adversary that drains the innovator directly. More time is spent talking than doing. People argue about subtle points to maintain the current course and speed. My father taught me at a young age that if you always do what you always have done, then you always get what you have always gotten. What is difficult here is that it takes the majority of workers to deliver on today; after all, it brings in the money to create for tomorrow. In order to remain viable companies need to invest just as heavily in inventing and innovating for tomorrow. Traditional R&D organizations are no longer the primary source of innovation and there is lots of research that suggests answers is in the masses. This is an area where maybe only a few are required to institute change.

Never doubt that a small group of dedicated people can change the world. In fact, it is the only thing that ever has.

Margaret Mead

No one wants what he or she has today, but if that is all the people of a company spend time doing, then how could any expect anything more than a game of catch up? Something far more radical would be to create an organizational structure that enabled the pursuit of both present and future with equal vigor.

Change is a critical part of business. Fuller’s attitude toward creation, focused on his contribution without regard to if the world was ready. The world catches up and regardless of success is influenced by the doing.

Communication / Creatvitiy / Design / Language / Software / Software Development / Web2.0 — 1 Comment
5
Oct 08

What are we saying?

It is encouraging that people find analyzing data so compelling. Visualizations like the ones you can find at Digg labs can whet the appetite of almost anyone. Environments such as Many Eyes allow users to engage more directly in the dialogue of information exploration. Wordle, a tool that enables you to generate your own word clouds makes visual statements on views that go unnoticed.

Creating a Wordle visualization of your resume seems to be something people enjoy. It reflects back the author’s personal language for articulating their experience and qualifications. I wonder how many altered their documents to direct the impressions they were creating.

People seem to enjoy sharing word cloud views of the news and politics. Wordle generates beautiful pictures using word frequency; the more often a word occurs the larger it renders. This means that what you put in directly affects what Wordle can turn out. While it includes the flexibility of lower casing words, removing noise words and interactive editing if you spend any time with Wordle, you will find yourself tweaking your content.

In an attempt to practice my PHP skills, I created a simple utility to help automate some text processing prior to working with Wordle. Think of it as the presoak cycle of the word cloud creation process. While it is humble in its scope and function, it can heighten the impact of your visualization. Check out Wordle Presoak if this is the kind of thing you are in to.

This composition below presents variations using Wordle Presoak on the same text pulled this morning from Reuters, Palin says Obama friendly with terrorists. Notice how you can optionally maintain quotes and have them play with the words, perfect for telling a story.

What are your words saying?

Using Wordle Presoak to help make compelling word stories

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15
Sep 08

Where did the time go?

The last few months have been a non-stop twister. While my monthly blog posts languished, I was busy scouting interesting flowers and insects in my backyard. Respecting the advice of those far better at macro photography, a couple months ago, I purchased a Canon MP-E 65mm 1-5x macro lens. If you do your research, you will hear people saying to avoid this lens if you have not shot macro before. People comment on the amount of patience you need to capture a good shot. There are even people that revel in not cropping their photographs, which is a subtle way of highlighting how skilled they are. Pick up any decent book on macro photography and you will read about the special support systems and need for a tripod. Search the web and you will find people talking about hand holding compensating with a decent flash system. The MP-E is a manual lens and unlike a zoom where focus can stay constant the duration of the focal range, this lens is best focused by selecting the desired magnification and then moving back and forth until the desired subject and composition are struck. It is to say the least the biggest departure from common photography.

Macro photography is exciting. There is an endless cast of characters everywhere. You end up training your eye to notice the smallest of specks that might contain a different world. Hand held shooting at higher magnifications takes every ounce of concentration and muscle control. It is very much like small-bore rifle competition where the scopes are often high-power fixed magnification and the target is all of a dot. All of the movement a competitor sees is real, but exaggerated. All the same preparation and breathing techniques apply to macro photography – without them it is easy to see why this is a daunting venture.

I am not really an insect person. They do make for interesting subject matter. Insects are constructed so intricately and their behaviors and patterns are mesmerizing. Shots with the MP-E are done under 5 inches and often around 1.5 inches. That means any fears, skittishness or intolerance of bug bites need to be overcome. It is in its own way therapy for a somewhat irrational worldview.

If you are looking for a meditative escape that changes your perspective and forces you to deal with yourself, Canon’s MP-E could be the answer.

Clicking on the image below will take you to a slideshow of my recent macro work. You will see my progression through my first four weeks and then two ventures outside my backyard in St. Lucia and Dayton, Ohio.

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16
Sep 07

The flatter we get the more Jelly we need

By now, we have all been told the world is flat. If you missed it then, I am telling you the world got flat a while back and nothing will ever be the same. That spells opportunity for almost everyone and in areas that go beyond finding the lowest cost labor or outsourcing non-critical parts of the business. Quite literally, businesses are driving to be more than globally present, but integrated to act as one even if that one is made up of many.

There is a chapter that seems to be overlooked – leading and managing the globally distributed team. As far as I can tell, experts are rare. Conferences often have dozens of consultants that can help do it better, highlight common pitfalls, and yet will admit that everyone is still learning and many see it as an upfront cost of their future business. The mythical twenty-four hour workday is something requiring the highest precision and, from my own experience, exercises leadership muscles that draw upon core energy from intuition and values. Regardless, we are all experiencing a world where the focus is distributing talent often exemplified by the mobile worker, someone who is almost entirely self-sufficient without the traditional office space. Self-sufficient says nothing about productivity or impact. In fact, the mobile worker might save enough money for a business that less still ends up being more – the mobile worker gets less done, but costs less overall doing it. Reflecting in that light and there is nothing like setting out to fall short of remarkable.

This past week NPR ran a story on Jelly, a gathering of professionals working from a participant’s home letting people get the collaborative social aspects of a dynamic workplace without all the political overhead associated with the traditional workplace. Anyone is invited to Jelly and any profession goes – all you need is to remember that people are not gathering to hide in the corner alone, an open mind and suddenly you may have some of the creative and technical types missing from your day job. There is something utterly compelling about this approach to the workplace. No one makes it to the top alone and if your cats are your only collaborators, the mountain might grow faster than you climb.

As we distribute our work across the world, how do we Jelly? Without this level of exchange, we risk our creativity dying from the limited recirculation of thoughts. HP saw value in forcing a portion of their workforce back into the office. Innovation labs found in academia and industry tout the benefits of face-to-face interactions. Jellys could reach beyond the work-at-home’s working together to businesses looking to work better together if even far apart.

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13
Sep 07

Common canvas of distinguishing features

Chris Chase, a neuropsychology professor back in college, enjoyed introducing concepts with the notion that humans are more alike than they are different. It is a useful foundation for deciding what is important to study, fundamentals that apply to everyone or the anomalies, certainly not unimportant, just narrow. And yet, humans are fascinated with differences and in particular our faces and our bodies.

Slavko Milekic, the chair of my undergraduate thesis on child friendly interfaces, evolved the face flipbook into kid-friendly touch-screen interfaces. Earlier on, in a self-study project I implemented the more traditional version of a face flipbook, allowing someone to switch parts of faces but in a more literal representation to the kid books I grew up with.

Reminder: There are too many examples of literal expression in virtual spaces that fail. It amazes me that we tend to not take on the larger challenges of inventing something new instead of replicating what we know.

Slavko introduced gesture and touch based interactions to the traditional computing environment enabling object switching, size shape and position. Certainly one of his successful creations was that of assembly of faces out of a variety of common objects like vegetables. Even at a young age, even when working with vegetables – something often seen as a challenge for children – we are fascinated with the construction of human form.

Move to the more taboo example of human nudity in art or even pornography. There are books dedicated to human genitals – again, the differences. Even when considering the world of fantasy and identity, nudity and pornography depict other people doing things that you yourself could do, by yourself, with others you know and increasingly others you do not know. So why that fascination, if not for the differences. What is it like to see an attractive someone with a certain set of features? It is all about the distinguishing marks, regardless of it being labeled art or smut.

My recent move back to New York City, more specifically Brooklyn, reminded me of the diversity I missed. A great Walt Whitman quote on a Barnes & Noble ad in my subway car read,

Stranger, if you passing meet me and desire to speak to me, why should you not speak to me? And why should I not speak to you?

That must be what outgoing is, talking to the diversity around you instead of just observing. But, in fact, almost no one speaks to strangers – we even teach our children not to. However, everyone has the pleasure of enjoying diversity visually at fire hose volume in New York City and for me on my morning commute on the F train.

Professor Chase is still right, we are more alike than we are different and while we are consumed by those curious differences, I posit that our fascination exists because our distinguishing marks appear on a relatively common canvas.

Spirited ThoughtGetting my head around my mind