Life

A lesson on reality from a call girl

One of the many things people can do to sustain a high-performing work life, is to care about what they do. This shifts the energy we usually reserve for our life and moves it to the workplace. It makes a significant difference in an individual’s ability to genuinely connect with other people and drive success across teams and projects. Making work personal is one of the simplest gas pedals people have to get things done, yet the highs it brings are matched equally by the lows.

The key to fantasy is knowing that you’re in one. So when you start thinking it’s real, things become complicated. Fantasy and reality and never-the-tween shall meet.

-Belle, Season 3, Episode 2, Secret Diary of a Call Girl

People tend not to manage their reality at work as a relationship, especially if they care. Consider the intimate relationships you have had and think of the ways you protected yourself during the moments of turmoil. Sometimes the protection is creating physical space – breaking up, separation and divorce. Other times it is far more subtle, a reminder that the person you love is upset about something and just needs compassion and support, not for you to feel angry and attacked. Are you managing your romance with work or are you pretending that it is different? How we react to changes in our reality is how we manage our relationships with it. In the workplace this is what distinguishes the best leaders.

Melt down with as few people as possible. Try to pick people you have a close and safe relationship with. If you don’t have any like that, then do it on your own, but do it nonetheless. If you care about your work, the melt down is unavoidable – it is literally the relationship having been malnourished. In business, the chances that it is getting fed all the time are unlikely. The key is to manage it separately from the prevailing brand you present as a professional. People have enough challenges dealing with their own reality, so when yours bleeds into theirs there is a level of dissonance that if not received with care tends to irritate. Regardless, taking the time to heal the complications of treating work like life is vital to keeping your mojo flowing.

Caring about what you do is powerful. It parts the tribe in two and those that care have the upper hand. It comes with additional responsibility to yourself, which is to manage your work (fantasy) as you would you life (reality). People tend to blend them and engage in the resulting complication. When you find yourself unable to distinguish, remind yourself that these two are really never meant to meet. That you introduced them to each other was a gift to you and others. If you see others going through challenging times where the emotional component is as high as business at hand, then receive it with care – it builds meaningful relationships between people that transcend the workplace. Some would say this makes for a messy world view, but I would argue it was messy when we started caring.

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21
Nov 09

Caught thinking in the rat maze of consumption

The shortest distance between a person becoming aware and buying – the act of exchanging currency at a higher rate than the service or product costs to produce – is the marketer’s benchmark. As such their motives should inherently be held suspect and yet we believe what they want us to believe.

Time is one of the key battles marketing message fight. Given enough time, anyone can sell anything (ideas or products), some better than others. People have been told time is money and usually that is true for the other person – your time is someone else’s money. Someone else’s time is likely yours. As such, marketing messages are short and repetitive – visually and aurally. It gets cleverer when the messages appear genuinely – products placed in unassuming ways that relate activity or quality to the product or service. Simplified messages attack the largest audience to force an action – thought or behavior. How much of what we know is fabricated?

Science and technology folks are all about details and complexity. One cannot fully appreciate wonders without understanding the complexity – one of the reasons we know less than we should. Scientists strive for truth or work with it to change it. Exactness is important. Any fudge work is noted and already calculated to be insignificant in the context of a more import result. They are biased, but their motives are purer. Of course corruption exists everywhere, so absolutes are tough to swallow. Scientific evidence is often positioned to accentuate the beauty but hid the wrinkles. We hold beliefs that are not always proven by a scientist or better yet ourselves-we call this faith. What do you have faith in?

I am not as interest in what people have faith in as much as that they do so readily. With good marketing, people believe and behave under the influence. People are generally anxious about mind control yet almost everything has been fabricated and more importantly specifically for you and people like you. As much as we are individuals we are actually more alike than not – scarily alike when it comes to what you think, what you believe and what you buy.

We are all participants in being under the influence

It is no wonder that so many people in the fields of communication, branding and marketing feel so powerful – their message in total create so much of the world. They start as the rock falling into the pond allowing ripples to hit us as they may. They drop more pebbles at the right times reinforcing messages, creating relationships and intimate richness. They are the origin and orchestration of the following conversation in what appears to be naturally occurring ripples. As individuals we faithfully internalize, reform and repeat – generating thoughts and actions that others listen to. These messages become defining attributes. Many people like fine wine, food, clothes, automobiles and the latest personal technology. Many desire upgrades to their current lifestyle in those ways and aspire for private jets, multiple homes in multiple countries and more. People consume what is made consumable. The rate of new content production for the individual is slower than the rate of content an individual produces based on someone else’s content. How much of what you think is new? When you talk, how much of what you say is something someone else said? How much of what you feel is yours?

Marketing messages create physiological changes in our understanding of reality – they are not artificial impacts. What is suspect is the initial message we chose to have faith in. If we inspected every message for such qualities we would crawl to a halt. It is not practical and, for better or worse, we are unavoidably consuming. This is excellent news for those who actually know how to communicate. The power to create the world’s thought and behavior is in the hands of those that strike clear and simple messages, rooted in fact and garnished in fashion.

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25
Oct 09

The state of the art is falling short of dreams

Among the publications of Moses King is a curious postcard titled N.Y. 11 Future New York “The city of skyscrapers”. John Timberman Newcomb, teacher at University of Illinois, Urbana-Champaign, wrote a piece titled The Footprint of the Twentieth Century: American Skyscrapers and Modernist Poems citing it as being published sometime in 1913-1918. I picked my copy up at a local store that sells old and used postcards.

N.Y. 11 Future New York "The city of skyscrapers" (Front)

The back reads, “Future New York will be pre-eminently the city of skyscrapers. The first steel frame structure that was regarded as a skyscraper is the Tower Building at 50 Broadway, a ten-story structure 129 feet high. There are now over a thousand buildings of that height in Manhattan, and hundreds in course of construction. The best known skyscrapers are the Singer Building, 612 feet height the Metropolitan Building, 700 feet high, and the Woolworth Tower which towers above them all at rises to a height of 790 feet. The proposed Pan-American Building is to be 801 feet high.”

N.Y. 11 Future New York “The city of skyscrapers” (Back)

For comparison, The Empire State Building is 1,472 feet including the spire, doubling what the 1900’s regarded as towering. It remains one of the tallest buildings in America and is currently number 15 world-wide. An impressive iconic structure, the Empire State Building is far from the vision that this postcard imagines.

Modern futuristic movies reach out into space (2001, Star Wars), explore extraterrestrials (ET, Alien) and robotic life (Short Circuit, Terminator). Others imagine close calls with the end of humanity (I Am Legend, Men in Black). Others yet explore genetic (Gattaca) and psychic phenomena (Minority Report). To make these movies commercially accessible they are kept edgy-plausible. In comparison, the minds of the 1900’s went far more radical imaging a metropolis of buildings stacked upon buildings with rail cars at high elevations and the possibility that a person’s world may be contained within one building. Movies have riffed on these concepts but at 750 ft, the Woolworth Tower was a far from the futuristic city New York was thought to become.

In general, the current state of futuristic thinking lacks radical imagination. The fiction has become too accessible offering probable possibilities instead of the kind of “what if” thinking that raises the societal consciousness – what could be beyond what we think.

There was a time that my work focused on managing technology diffusion and amplifying the volume on innovative activity at IBM. It is a space where there is literally no shortage of work to be done at every level. While people tended to focus on the tangible build out of infrastructure or web experience that facilitated innovation access, most failed to see how important the dream was. For example. “what if 30,000 employees were always running the n+1 version of the IT experience?” Dreams are lenses that provide a critical filter and check point as things naturally evolve and depart from the original motivations.

Making innovation accessible is an important part of the Darwinian selection. A more interesting topic is pushing innovation beyond current understanding. Quite simply, the majority of innovation today is incremental or copy cat – applying something from one domain to another in hopes it might be useful in a different context. Certainly interesting exploration, but not what I would call transformative. It seems real innovation comes in the form of individuals and when they move on for whatever reason, so does the dream. Who in your world is a dreamer that has started many fires but whose fires seem to be smothered or worse yet have burned the wrong forest?

Consider what is still an impressive demonstration, Jeff Han’s demo at TED in February 2006. It is 2009 and the best we have seen of gesture based and multi-touch, pressure sensitive computer screen technology and the best we can point to is Apple’s application in their mobile devices. More importantly, notice the first demo Han shows exploring human lava lamp interactions – more sophisticated than current interaction experiences that exploration is relegated to research scientists. The few hundred of audience members, purported to be some of the most connected in the world, were impressed and unmoved to imagine a different computing world, or if imagined selfishly horded.

What is beyond web-based anything, micro-blogging, social flows and the constant meme generation? I am not tired of the world we live in, but who is imagining the world beyond. If we simply evolve from here, the future will fall short, just like the New York and cities that never became. Some cite the state of the economical climate as the reason for such underwhelming thinking. I think it has been here for many years and it would be a good time to shake it up. If you are a dreamer, a futurist, a creative thinker, why is your volume so soft? The future is here and we need bigger thoughts.

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10
May 09

Breakup with your organization without leaving

Sophisticated organizations construct relationships with the people that enable the group. Even if all you do is punch the time clock at work, part of your identity is associated with your job, the building you work in, the company you work for and the people you work with. If you actually like what you do, have skills that help you deliver in meaningful ways and the stomach to deal with the human condition, then it is in your organization’s best interest to retain you – even better if they get you to retain you.

It takes an incredible amount of clarity to both understand what is important and why it is important. A few years back an executive offered some mentoring advice to help structure the conversation of what was important to me. Consider money, recognition, visibility and content. Assign a percentage to each of these according to the contributing importance to what drives you. This and other techniques help someone understand what is important, but not why. What in the absence of why is dangerous. Deriving insight from the what is certainly possible, in fact powerful. Investigating why someone feels a certain way can be even more transformative.

Incentives are a common method of influencing behavior. The most powerful of which communicate social or professional status – titles or black credit cards. There is nothing wrong with wanting to be an executive with a fancy title, but the meaning of such a label has power within the organization and possibly with other groups that identify with similar notions. Everyone else, especially an indigenous tribe in a far away land, has no idea what it means. Creative workplaces often poke fun at organizational structures encouraging titles to be fun – Guru of Internet happiness. It is easy to not realize why what you desire is fabricated. Ensuring the “why” of “what” comes from you and not someone else is the key to freedom.

Breaking free from your organization makes you a more effective contributor. It is impossible for your relationship with an organization not to contribute to your identity. The longer you groove over the same mental and physical paths the more efficient traversing these passageways become. Realizing any path is possible often means breaking some of the psychological and physiological habits associated with the current context – the more deep the groove the more resistance and pain involved in changing. This can be an emotional break up where the individual is reorganizing and reestablishing the relationship with the organization. People tend to change organizations instead of changing their conception of the organization – guaranteed to repeat the pattern. Your organization defines you, but you can define the organization and leave and define something else somewhere else if need be. The terms of your contract are not to be a hamster in a running wheel. That is just what happens when people accept things as they are.

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12
Apr 09

More vocal and alone. Sext me?

Last month I finished authoring a chapter submission on how social artifacts mediate the deluge of content a social network consumes and how diversity of participation is an imperative to keep us from French inhaling our tweets. We are living in a time of content explosion – this was news back in 2003 when a UC Berkeley study summarizes the prior year’s information detonation:

1. Print, film, magnetic, and optical storage media produced about 5 exabytes of new information in 2002. Ninety-two percent of the new information was stored on magnetic media, mostly in hard disks.

2. We estimate that the amount of new information stored on paper, film, magnetic, and optical media has about doubled in the last three years [1999-2001].

3. Information flows through electronic channels — telephone, radio, TV, and the Internet – contained almost 18 exabytes of new information in 2002, three and a half times more than is recorded in storage media. Ninety eight percent of this total is the information sent and received in telephone calls – including both voice and data on both fixed lines and wireless.

How much information? 2003, Peter Lyman and Hal R. Varian

All of which is insanely outdated considering YouTube alone was only founded in 2005 and yet the community produces and views more content than all the commercial production houses – consider in 2008 10 hours of video per minute were uploaded to the site. Since the 2003 study of 2002’s information explosion, we can safely say it has only grown in magnitude since. The eruption of information could easily bee seen as an individual’s need to communicate, which brings us to the modern day where a considerable amount of content is being created, vetted and spread by social networks.

Aric Sigman authored an interesting article in the February issue of Biologist titled, “Well connected? The biological implications of ‘social networking’”, where he presents various findings and side effects of our social affliction.

Britons now spend approximately 50 minutes a day interacting socially with other people (ONS, 2003). Couples now spend less time in one another’s company and more time at work, commuting, or in the same house but in separate rooms using different electronic media devices.

The Office for National Statistics has just reported that “over the last two decades the proportion of people living alone doubled”, a trend now highly pronounced in the 25-44 age group.

A study by the Children’s Society recently found that television alone is displacing the parental role, eclipsing “by a factor of five or ten the time parents spend actively engaging with children”. Another ongoing study reports that 25% of British five-year olds own a computer or laptop of their own. In particular, the study noted an enormous increase in ‘social networking’ among younger children which “has overtaken fun (online games) as the main reason to use the Internet”.

“Well connected? The biological implications of ‘social networking’”, Aric Sigman, Biologist

All of this is shown to affect health and for that matter society. Family is a historically critical element of survival. It is the embedded network that should be active for life. Yet, we see that even among married couples there is less interaction even when sharing the same physical spaces. Consider that population of 25-44 year olds that are living alone and likely having less long-term intimacy and as such fewer babies. One could see this as an expression of independence. Either way, it is an alarming trait. We are expressing more than ever, constructing our identity, in some cases identities, and yet are physically more alone than ever. The Internet equals social equals the primary content of our youth, bypassing the parental input that has developed generations prior.

One-third said they have posted or sent racy images of themselves, and almost half have received them.

Teens’ nude photos get unexpected results, Irene Sege, Boston Globe

It is not surprising that teens would use their devices to express their sexual curiosity and interests. The porn industry paved the way for almost all commercial transactions, streaming video technology and collaboration tools. Scary, but true. Mobile devices make it easy for our pervy teens to be more out there than ever. If you can see it on FaceBook, you know the real material is floating over the mobile network. One might conclude that this level of openness is part of a generation change and thus a societal shift. There are likely others hoping our virtual fetish means teens are not having sex, clearly not the case. Sigman (the guy who write the article for the Biologist) was making a point, that it is not common for a physician to advise on a patients sex life, and yet he feels that is exactly what needs to happen. As we grow further apart, we lose some of what keeps us healthy (sexual intimacy being part of that). Teens sext, teens have sex and yet as a society we have less meaningful relationships. What exactly would Sigman have to say about this? Maybe we need to do a study on our youth, as they are the future of the world, we just get to help avoid self-destruction a while longer.

The information explosion and social networking storm are replacing the therapeutic and developmental tools of the past. Instead of parents and therapists, people are in a constant creation and editing of their identities through new media. If the online world is the safe place to explore one’s self, then why has it become a destination to a better reality? What is fascinating is that our growing immersion into a hyper-virtual-reality, where we mentally masturbate around all things “me”, is removing us from our social reality where our developed selves act and all the while, evolving into a sexually explicit twittified frenzy. Forgive me, I missed the sexting revolution, I was too busy typing on my BlackBerry, what was that?

Creatvitiy / Life / Photography / Sharing — 2 Comments
8
Mar 09

Pro, Prosumer and Amateur

A few weeks ago, I tried the pre-paid mailer service purchased at B&H serviced by A&I. The roll was from my Mamiya, which I have always pronounced as mam-eye-ya but have since found out could very well be ma-mee-ya. The delay in mailing across the country, processing and back was painful. Especially when I walk by Duggal on the way to work which as far as I can tell does fantastic work! Opening the envelope returned a rush of excitement you get from hanging a freshly developed strips of negatives. You scan them with a flashlight as they dry, hunting for the images you remembered to be special. While the prints are not made to match the 6×7 ratio, the 4.5×6 prints make for friendly proofs.

Claw foot

Reviewing the negatives has me watching film scanner prices on ebay. Good ones are expensive and add one more thing to the equipment pile. It is hard for me to justify for anything beyond the love of my art. If I had a stable flow of income from photography, it would be a simpler decision. That said I am not sure I want to be a commercial photographer. Scott Kelby featured Syl Arena as a guest blogger a couple of weeks ago. Syl listed twelve things he did not learn in photo school. The last resonated with me most…

12. Resist the temptation to become a pro photographer.
The true meaning of “amateur” is “someone who works for the love of it rather than for money”. Choosing to remain an amateur photographer is no measurement of your skill or commitment to the craft. The photo world is filled with unskilled professionals. Thinking that you want to be a pro shooter because you really love photography is absolutely the worst reason to get into the business. I guarantee you, if a love for photography is your main motivation, the economic realities of the industry today will pound your passion into the ground. If, however, your inner voice continues to shout “this is what I want to do” after your passion has been beat out of you, then you are truly hearing the call to the trade. Let me be the first to say “welcome” and “I’m here to help”.

Consider that Prosumer is what marketers have coined to capture professional consumers that want more than “amateur” equipment but cannot afford or rationalize the purchase of professional equipment. Prosumer emphasizes the consumer, not how professional they are. While equipment is certainly part of the recipe, everyone knows they are but the paintbrush and the paint. Given my primary employment does not flow from my photography, I embrace the title of amateur.

Flourish

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31
Jan 09

Extending, reflecting and refining on the way to interesting

In December, I treated myself to something old but new, a Mamiya RZ67 ProII outfit. It is a legendary film camera with a cult following. There are many reasons to fall in love with a camera like this and I am just beginning my journey.

As a child, I remember sitting around the dinner table and discussing how the racket did not make the player. Tennis was a big deal in our house and while I knew the sentiment was true, this was the dawn of composite rackets, a move away from traditional wood frames. For me it was a conflict worth waging, because the racket was significant. The racket indeed matters, but without a competent player, it is no better than a lesser tool. The racket does not make the player, but a good tool in the right hands is magical.

Right before I found my new tool on Craigslist, I read an inspired blog post by Chase Jarvis around being successful in photography. It is always interesting to hear the secrets of successful people. People love to try to boil things down to consumable words of wisdom when in fact how someone ends up where they stand is far more complex. Nevertheless, a fantastic quote of a quote from an interview with Steve Martin.

Be undeniably good. When people ask me how do you make it in show business or whatever, what I always tell them and nobody ever takes note of it ‘cuz it’s not the answer they wanted to hear — what they want to hear is here’s how you get an agent, here’s how you write a script, here’s how you do this — but I always say, “Be so good they can’t ignore you.” If somebody’s thinking, “How can I be really good?”, people are going to come to you. It’s much easier doing it that way than going to cocktail parties.

Not only is that true, it is brilliant. I tend to be understated out of fear of being labeled arrogant, but I also enjoy seeing how other people perceive my work and me. If I were more aggressive, I would taint the viewing. I am interested in getting feedback and the best way in my mind is to let people react and then watch and listen. Be undeniably good.

In the first weekend, I shot the camera twenty times. I forgot what it was like to work with film and in this case peel-apart expired Polaroid. Everything takes time. With my Canon 30D, I can rip through hundreds of shots in an hour. My keep ratio is extremely high and I am brutal given the number of photos I am left to manage. The digital darkroom is now an extension of my mind and tweaking is effortless. We forget how much the camera and computer are doing.

My first few shots were first metered by my digital camera and then transferred to the RZ. Underexposed. Test. Underexposed. Test. Ah, the film. Then years of experience with film rushed over me. Film selection is a critical part of creating an image. Expired Polaroid peel-apart is a wild card. To further complicate things, I was metering with my Canon, which has fancy algorithms for referencing neutral gray. The lighting conditions were such that the best exposure would have been metered from an incident reading, where instead of looking at the reflected light off an object you read the light falling onto the object. Unfortunately, I was without meter and for my first weekend, compensating would have to do.

Chris Orwig, a faculty member at the Brooks Institute, was a guest writer on a wildly popular blog by Scott Kelby. Scott and team run a slick show keeping everyone in tune with Adobe products and photography. Most of their work is tool and gear focused, so inviting Chris to the show was an unexpected and genius move, because he is all about the art. Chris is a fan of quotes. It must be the educator in him.

The review [of one of Chris’ student’s portfolio] was fine, yet after it was over the student pleaded with Jay [Maisel], “Tell me, how can I take more interesting photos?” With missing a beat, Jay volleyed back, “Become a more interesting person.” Or said in another way, as Chris Rainier told me last week, “…at some point photography becomes autobiographical. In order to create better photos, sometimes we need to put down the photography books and magazines. Then we need to go out and to develop who we are.”

Who we are, shapes what we see.

Be undeniably good. Become a more interesting person.

My setup came with extension tubes, which enable lenses to focus at very close distances, excellent for macro (micro) photography, something I dove head first into last year. My still life rested atop a mantle. Extension tubes and my 110mm lens attached to an unqualified tripod. My Canon 580EX attached to the hot shoe. Test. Underexposed. Test. Underexposed. Test. Ah, the film. Compensate for the film, the extension tubes, and the power level of the strobe light. A color print of what is essentially a black and white subject. Slipping in a pack of Fuji black and white instant film, I nailed it. Unreal. Hours go by as you shoot, wait, look, adjust and expose. Over and over again, totally engrossed in the process, frame and science. The smell of the caustic Polaroid chemicals and the fascination with even poorly exposed shots. Now I remember why it was so amazing to get 10-20% of your shots as keepers. When you shoot film, you have no choice but to wait to see what was captured. The delay is part of the process.

I had been dragging my feet on a couple of purchases, a light meter and a good support system. This new outfit requires both. They have been among the best investments I have made.

My first photography class had everyone shoot slide film. Hardly anyone shoots slides anymore. The process of looking at images projected on a wall is no longer captivating to most. What is smart about slide film is that you basically get what you shot. While there is a development process, there is no magic going on in the darkroom in creating a print. The realized image is the developed slide. Instant films are much the same way. The image only exists in one place. There is no negative. You get what you shoot. Wickedly humbling and intoxicatingly addictive.

I am already a better photographer than before my Mamiya. Bringing me back to all the inconveniences of film informs how I construct my image. Those inconveniences are the pauses that leave you only to think, feel and reflect. Hopefully one step closer on my expedition to being undeniably good. More importantly giving me another window of exploration by which I become more interesting. After all, the process of capturing images is a method by which we interpret and reinterpret our world. That journey is its own therapy.

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15
Sep 08

Where did the time go?

The last few months have been a non-stop twister. While my monthly blog posts languished, I was busy scouting interesting flowers and insects in my backyard. Respecting the advice of those far better at macro photography, a couple months ago, I purchased a Canon MP-E 65mm 1-5x macro lens. If you do your research, you will hear people saying to avoid this lens if you have not shot macro before. People comment on the amount of patience you need to capture a good shot. There are even people that revel in not cropping their photographs, which is a subtle way of highlighting how skilled they are. Pick up any decent book on macro photography and you will read about the special support systems and need for a tripod. Search the web and you will find people talking about hand holding compensating with a decent flash system. The MP-E is a manual lens and unlike a zoom where focus can stay constant the duration of the focal range, this lens is best focused by selecting the desired magnification and then moving back and forth until the desired subject and composition are struck. It is to say the least the biggest departure from common photography.

Macro photography is exciting. There is an endless cast of characters everywhere. You end up training your eye to notice the smallest of specks that might contain a different world. Hand held shooting at higher magnifications takes every ounce of concentration and muscle control. It is very much like small-bore rifle competition where the scopes are often high-power fixed magnification and the target is all of a dot. All of the movement a competitor sees is real, but exaggerated. All the same preparation and breathing techniques apply to macro photography – without them it is easy to see why this is a daunting venture.

I am not really an insect person. They do make for interesting subject matter. Insects are constructed so intricately and their behaviors and patterns are mesmerizing. Shots with the MP-E are done under 5 inches and often around 1.5 inches. That means any fears, skittishness or intolerance of bug bites need to be overcome. It is in its own way therapy for a somewhat irrational worldview.

If you are looking for a meditative escape that changes your perspective and forces you to deal with yourself, Canon’s MP-E could be the answer.

Clicking on the image below will take you to a slideshow of my recent macro work. You will see my progression through my first four weeks and then two ventures outside my backyard in St. Lucia and Dayton, Ohio.

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13
Jan 08

Photo albums are all but dead

Photo albums used to be the family bible, visually recording the event of people, places and events. It required the acts of photographer, editor and album constructor. It was a labor of reminiscence and duty. As the holder of the photos and the negatives, only they had the artifacts to construct the story. As viewers we enjoy impressions among the context, artifacts of a trip are embedded, mementos of the event. The event of constructing the photo album is all but dead – it too has been abstracted.

The transformation of the photographic world to a digital reality moved the activity of album construction to the computer. Initially people focused on recreating what they had in the real world, the physical photograph. It turned out that it was more expensive per print than traditional means, but the rationale was that someone only printed what they wanted. Enter stage right, the photo editor who traditionally used contact sheets or prints now filtering with computer screens and postage stamp LCDs on cameras. Dramatically reduced, the cost to take pictures results in higher volumes of images for review, the editor continues to filter. Photos, now files, need to be backed up to CD, DVD or external storage. To work with photos beyond the basics requires software of all shapes and sizes that helps make the most of where we have evolved to be. We live in an age of visual abundance, requiring constant editing, leaving the activity of visual story telling to the dedicated few.

Forget not the magic of the Internet! Enter stage right, jogging next to digital cameras, photo-sharing websites. While the photo album continues to be nourished by older generations, the common people are looking to recover the social aspect of their visual record. The current state of the art is Flickr. Heavily edited, socially aware photo sharing, with family, friends and everyone. The construction of the Flickr account requires the same photographer, editor and album constructor, but add to it uploader, annotator, taxonomist, commentator, moderator and more. Image distribution casts a wider net. Instead of just family and friends physically present with the photo album, anyone can browse the gallery and experience a different kind of story, one favorited and commented by the known and unknown. This introduces two pressures. First, who has access to someone’s images what and do they care. Second, these photos are a representation of someone’s impressions and moreover their view – the editing they applied to select a specific set of photos for others to experience. Now that literally everyone sees them, what is it that they intended to say? Filter, filter, filter. Far fewer images are seen and when they are, they lack the context of the human touch that made photo albums something of reverence and reminiscence. Just over the hill, on the other side of the coin, everyone enjoys the endless visual content that the society has constructed, defining the societal view and the visual trend. The slow death of the analog photo album leaves us somewhere different.

Digital photo frames reintroduce the album in a Harry Potter device. Pictures often cycle through allowing the viewer to see more than a single photo. The i-mate Momento 100 is a ten-inch digital photo fame that is wifi-connected and mates with an online service to bring much, much more to photo frames. Any shortcomings are quickly forgotten when someone experiences the magic. Momento Live is the site that mates with the frame allowing the frame’s owner to subscribe to feeds, Flickr or others, and have those photos automatically downloaded and updated on the frame. In addition, the frame has an email address and MMS interface. Send an email with a photo attached and the image graces the frame. The owner is no longer the album creator. People of their own selection enter the mix. Add a Flickr feed generated from a search and view endless images of <insert keywords here> by people you may never know. The Momento points in the direction of recapturing and evolving society’s notions of the photo album, the photo sharing experience. The frame becomes the magical portal into moments experienced by the individual and others, remixed to impress upon the viewer. If only we were able to capture the human touch and replay that. The story is becoming more interesting, but lacks the meaningful connections people create when they share face-to-face.

Send a photo to my Momento!

Behavior / Culture / Education / Interaction / Life / Participation — 2 Comments
28
Oct 07

Jump in before all the water is gone

It is amazing when the comment section of a blog post is longer than the post. The barrier to post is high enough that most people don’t. The comments I refer to are the ones that equal in quality and value of the original, twitter sized posts need not apply. This barrier is true for many online social interactions for at least three reasons:

First, “what’s in it for me?” goes unanswered. What is the incentive to participate? If you write a blog, it might be part of your life interaction model – comment and catalog in your space while linking to the inspiration. If you bookmark, it might be in hopes to remember and revisit. In general, there are relatively few obvious benefits. One answer is to be heard – just remember to have something worth saying.

Second, the efforts of a few benefit many. The vast majority of information is unvisited, untagged, unrated and uncommented. For those who participate, thank you. The time you take to read, understand and evaluate (even if imperfectly), makes finding information easier. That someone takes the time to “touch” something interesting adds value for those who come behind it. The fact that many are willing to join in, leaves well-worn and lasting marks.

Third, contribution takes time. In our information congested, attention sliced, multi-tasked world, taking a moment to contribute back costs too much, especially when considering a well thought out, well-written comment.

Yet, more of the world is growing up in time when participating is commonplace. Enter stage right: YouTube, Del.icio.us, Digg, Twitter and Facebook. The question is, are we saying something worthy of further thinking? There are certainly professional circles that are interested in mining the social data created, but what is it that we are contributing? This is all, very much, a social experiment without the vague beginnings of a thesis. However, it is the world we live in and for an increasing many, the only world they know.

One of Michael Wesch’s anthropology classes at Kansas State pulled together another three minutes of visual delight expressing the current state of the student.

With an average class size of 115, only 18% of their teachers can recognize them and call them by name. Let us be generous and say a given student has 10 teachers, that means two know them from another. Eighty percent of the time, students are anonymous.

This is good, because they only complete half of the assigned readings 70% of which are irrelevant to their life. You can just feel the low grown from all the humanities majors, especially those from Ivy League schools. Makes you wonder what they missed in the other half of the readings or what it means to be relevant. The good news is that they read! The eight books per semester average seems insignificant to the time and attention devoted to the 2300 web pages and over 1200 FaceBook profiles. I am still stunned that they read! The level of real literacy is astounding. I digress. The interesting part of this is that the books and assigned readings have been hand selected by highly educated people. The web pages and FaceBook profiles are self-selected. With the undisputed fact that we exist in information chaos, the idea that students would skip 50% of the hand-selected literature is amazing. Furthermore, the content of the websites and certainly the sophistication of FaceBook profiles is not quite that of the New York Times – most college reading is, at least it use to be.

Students write 42 pages for class in a semester and over 500 pages of email. Apparently, there are 105 days in a semester at Kansas State, which means a student on average writes one page for class every 2.5 days and in that same amount of time will generate 12 pages in email. Are we asking students to do too much? Certainly, writing for class is harder than writing email, but when they enter the work force, most of the emails, papers and presentations they will give should approximate the level they develop for class work.

At one point in the video a young lady holds up a sign saying that when you total all of the time they spend on things in a day it goes over 24 hours. Brilliant! Soft productivity measures are often captured in “time saved.” Many joke that we save more time than there is in a day by introducing and improving business solutions. In the next scene, a student holds a sign saying they multitask, because they have to. We all do or we cannot competitively produce results. Those 24 hours need to contain the productivity of a much longer day. The busiest among us seem to deprive of sleep, regular meals and personal time to accomplish their goals. The students say they get seven hours of sleep, which is good, because sleep is important for a healthy mind and body. Well-rested people are more productive than their non-stop counterparts are over time – a simple Google search will show you all the ways skimping on sleep hurts. The multitasking skill will come in handy as they cram more than a days activity and get countless hours back from corporate IT to fit it all in.

Generations of students are being built by systems that fail to fully educate. As a society, we communicate academic achievement by single, standardized measures, not more fundamental values around identity, society and global impact for example. We fail to consider the fundamental changes in our children (e.g. read about millennials) as relevant input to evolving education. We alter the standards by which we set and measure expectations by allowing students to proceed with no correction – they too will become teachers, doctors, business-folk and what will they value? If we are what we eat | read | think | express, then what does it mean when your reading and writing is so FaceBook, Twitter and email focused?

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