Spirited Thought

Photo albums used to be the family bible, visually recording the event of people, places and events. It required the acts of photographer, editor and album constructor. It was a labor of reminiscence and duty. As the holder of the photos and the negatives, only they had the artifacts to construct the story. As viewers we enjoy impressions among the context, artifacts of a trip are embedded, mementos of the event. The event of constructing the photo album is all but dead - it too has been abstracted.

The transformation of the photographic world to a digital reality moved the activity of album construction to the computer. Initially people focused on recreating what they had in the real world, the physical photograph. It turned out that it was more expensive per print than traditional means, but the rationale was that someone only printed what they wanted. Enter stage right, the photo editor who traditionally used contact sheets or prints now filtering with computer screens and postage stamp LCDs on cameras. Dramatically reduced, the cost to take pictures results in higher volumes of images for review, the editor continues to filter. Photos, now files, need to be backed up to CD, DVD or external storage. To work with photos beyond the basics requires software of all shapes and sizes that helps make the most of where we have evolved to be. We live in an age of visual abundance, requiring constant editing, leaving the activity of visual story telling to the dedicated few.

Forget not the magic of the Internet! Enter stage right, jogging next to digital cameras, photo-sharing websites. While the photo album continues to be nourished by older generations, the common people are looking to recover the social aspect of their visual record. The current state of the art is Flickr. Heavily edited, socially aware photo sharing, with family, friends and everyone. The construction of the Flickr account requires the same photographer, editor and album constructor, but add to it uploader, annotator, taxonomist, commentator, moderator and more. Image distribution casts a wider net. Instead of just family and friends physically present with the photo album, anyone can browse the gallery and experience a different kind of story, one favorited and commented by the known and unknown. This introduces two pressures. First, who has access to someone’s images what and do they care. Second, these photos are a representation of someone’s impressions and moreover their view – the editing they applied to select a specific set of photos for others to experience. Now that literally everyone sees them, what is it that they intended to say? Filter, filter, filter. Far fewer images are seen and when they are, they lack the context of the human touch that made photo albums something of reverence and reminiscence. Just over the hill, on the other side of the coin, everyone enjoys the endless visual content that the society has constructed, defining the societal view and the visual trend. The slow death of the analog photo album leaves us somewhere different.

Digital photo frames reintroduce the album in a Harry Potter device. Pictures often cycle through allowing the viewer to see more than a single photo. The i-mate Momento 100 is a ten-inch digital photo fame that is wifi-connected and mates with an online service to bring much, much more to photo frames. Any shortcomings are quickly forgotten when someone experiences the magic. Momento Live is the site that mates with the frame allowing the frame’s owner to subscribe to feeds, Flickr or others, and have those photos automatically downloaded and updated on the frame. In addition, the frame has an email address and MMS interface. Send an email with a photo attached and the image graces the frame. The owner is no longer the album creator. People of their own selection enter the mix. Add a Flickr feed generated from a search and view endless images of <insert keywords here> by people you may never know. The Momento points in the direction of recapturing and evolving society’s notions of the photo album, the photo sharing experience. The frame becomes the magical portal into moments experienced by the individual and others, remixed to impress upon the viewer. If only we were able to capture the human touch and replay that. The story is becoming more interesting, but lacks the meaningful connections people create when they share face-to-face.

Send a photo to my Momento!

Social software maps the networks we already know. Presumably, the goal is to have the systems we interact with enable or inform us about something or someone we do not.

Recently I have been beating a drum with a colleague on the lack of critical thinking people bring to bare, regardless of environment – digital or real – and how we might support more thoughtful interactions. The disturbing trend is that people communicate critique through disengagement and silence. Anyone who has enjoyed a college-level art class can affirm that the most humbling and beneficial moments come from open critiques.

Your work, something you sweat over for hours, is hanging up against a wall along side those of your peers. Artists hang their work on the wall, stand back and review in hopes to see what they might be missing. The things we like and dislike about art often thought to be subjective, that taste is something unique to us. If this were true then more people agree than disagree on esthetically pleasing artistic expression. Go to an art critique and watch as people judge both on the technical execution and on the way the piece makes them feel. For the artist, it is likely the first time anyone has interacted with them around their art; it is the beginning of a dialogue. When there is agreement, the artist has communicated something so well that everyone remarks. If the reaction is not in-line with the artist’s intention, then it is an opportunity to learn and adjust. Art is, at least in part, communication. For whatever reason, we do not ask our peers to hang Power Point slides up on the wall and reflect. Ask a developer to be honest about their anxiety of participating in a code review. We have created a culture of quite, passive, secret thoughts.

People need to be more critical. Not negative, critical. We have an opportunity every day to contribute to the reality we share, if even only to compliment. Why withhold so much in fear that we might offend? Try starting with what you liked and then follow up with your suggestion. Venture out and express how you feel the next time someone asks you for your thoughts. Do not just say, “looks good,” because that is the same as silence.

When you organize jour [sic] social world solely around affinity, then you get an endless hall of mirrors. - Adam Greenfield, Author, Adjunct Professor at New York University, from an interview with Zachary Jean Paradis, Sapient, interview.

Social spaces are about the participants and their connections. If they are unable to show us something other than what we know, they have failed. Collecting the list of people we know is an ego game, whose meaning is short lived. Part of addressing this challenge is in valuing the diversity among us – go beyond gender, race and include thought. Love the person who disagrees with you, because you have the opportunity to learn something new. Be more critical of what you see. Find others that are willing to be more critical of you. Decide that a hall of mirrors, while familiar, is not as interesting as what other people are showing.

Twitter is a centerpiece to techi-discussions where everyone shakes in amazement that such a simple application could become so integral to people’s lives. It is the simplicity, content and medium that supports such phenomenal adoption. More specifically, the interfaces to Twitter are minimal – website, email, feeds, Twitter Tools (extensions to Twitter) and most importantly text messaging. The website supports initial account creation, management, historical archive and message broadcasting, but in truth, like every other website would require a user to show up to participate and benefit. Extending their interface to email offers the few people who have a computer but no mobile phone a way to engage, but it is the text messaging that lets Twitter reach down and touch you in your pocket. There is too much information and yet participating in Twitter only increases it. So, why are we experiencing such compulsion?

Twitter has been described as micro-blogging and it is not a terrible coin. Twitters are character limited training people to marshal life updates into pithy messages. If one made a valuation of a blog post that journals a person’s day-to-day activity, the value in any given twitter is at most proportionally as small. However, considered in the context of the same person’s daily twitters and an individual’s understanding is enhanced. Consider one person’s twitters in their twitter-network cocktail and the twitter-log takes on additional meaning, meaning only understood by the receiver. Throw into the mental mix that one person does not necessarily need to know another in order to follow them – supporting fantastical senses of potentially very distant individuals.

Blog-trolling a last weekend I remember running across Matt Hatem’s reflection on the social sixth sense. He actually ends up meeting a friend that he might not have otherwise through Twitter. Interestingly, Matt’s very real social connection enhances his relationship with Twitter. Regularly, Twitter is a simple way to keep up with his network virtually. He is left to construct what one buddy is up to based on what he knows of them and what the message said. In his example, though, Matt bridged the relationship into the real world, which is far richer and now forever part of how Matt understands Twitter – it connects him with people he knows – virtually and in the flesh.

Matt also points off to Clive Thompson’s Wired article How Twitter Creates a Social Sixth Sense. Clive offers similar anecdotal support that small messages understood cumulatively have meaning, meaning that changes what we understand about the people we know. The fact that these messages show up on a mobile phone – a intimate device – offers urgency of interruption and often a visually simple rolling log of what is what in the network. The mobile phone has become an ambient device that creates more socially aware people, in some cases, actually getting them away from tiny keyboards and meeting up close enough to touch.

By now, we have all been told the world is flat. If you missed it then, I am telling you the world got flat a while back and nothing will ever be the same. That spells opportunity for almost everyone and in areas that go beyond finding the lowest cost labor or outsourcing non-critical parts of the business. Quite literally, businesses are driving to be more than globally present, but integrated to act as one even if that one is made up of many.

There is a chapter that seems to be overlooked – leading and managing the globally distributed team. As far as I can tell, experts are rare. Conferences often have dozens of consultants that can help do it better, highlight common pitfalls, and yet will admit that everyone is still learning and many see it as an upfront cost of their future business. The mythical twenty-four hour workday is something requiring the highest precision and, from my own experience, exercises leadership muscles that draw upon core energy from intuition and values. Regardless, we are all experiencing a world where the focus is distributing talent often exemplified by the mobile worker, someone who is almost entirely self-sufficient without the traditional office space. Self-sufficient says nothing about productivity or impact. In fact, the mobile worker might save enough money for a business that less still ends up being more – the mobile worker gets less done, but costs less overall doing it. Reflecting in that light and there is nothing like setting out to fall short of remarkable.

This past week NPR ran a story on Jelly, a gathering of professionals working from a participant’s home letting people get the collaborative social aspects of a dynamic workplace without all the political overhead associated with the traditional workplace. Anyone is invited to Jelly and any profession goes – all you need is to remember that people are not gathering to hide in the corner alone, an open mind and suddenly you may have some of the creative and technical types missing from your day job. There is something utterly compelling about this approach to the workplace. No one makes it to the top alone and if your cats are your only collaborators, the mountain might grow faster than you climb.

As we distribute our work across the world, how do we Jelly? Without this level of exchange, we risk our creativity dying from the limited recirculation of thoughts. HP saw value in forcing a portion of their workforce back into the office. Innovation labs found in academia and industry tout the benefits of face-to-face interactions. Jellys could reach beyond the work-at-home’s working together to businesses looking to work better together if even far apart.

Yesterday morning while catching up on some email a Photojojo email from July 20 featured The Simpsonizer. My results were pretty good. Interestingly enough, I find this two dimensional avatar more accessible than my Second Life me, Vienna Lamourfou. Maybe that has something to do with the fact that the couple of times venturing as Vienna I ended up immobilized in a teleport.

Given a set of Simpsonized friends, could our FaceBook, Twitter and IM chats have a little more character? What kind of cartoon might that be like? How about our interactions taking the form of a printed comic? How might it change our experiences and memories of what we are doing in virtual spaces?

The human relationship with music is an interesting one. For all of its meaning in my life, it is not something I consider a passion. I have always admired friends who are musicians or loved and immersed themselves in music. One of the projects my team has worked on over the last twelve months is an internal media library, a corporate youtube if you will. The parts that have me engaged are the social interactions and the implications of leaving tracks in online spaces.

I was listening to Regina Spektor, Lucinda Williams and Rickie Lee Jones this morning. The first I heard about from my mom, the latter two from CBS Sunday Morning. Both cases were high-touch interactions, my listening to the direct recommendation by sources I trust. Finding the music on iTunes to buy and then transfer to my iPod is actually a subtly intimate affair. I have to remember the artists, find them in the iTunes store, identify the album, part with my money and then transfer to my device so I can experience the music. iPods are inherently personal. They offer custom engraved messages letting the world know mine is mine. They communicate through an 1/8th inch jack and often into ear bud speakers directly into my head. That is the bridge from the artist’s inspiration to my brain. Now the music has access to my innermost ticking.

There is plenty of work done on the impact of music on the human being – playing classical to babies in the womb to Tibetan singing bowls. Listening to music is intimate in that we construct relationships both with those who share and we share it with but also the artist, the words and sounds that resonate with us. We time code life with it and connect with other people through gifts and gifting. In addition, we are now annotating it with ratings, tagging, comments and play lists.

Music has the wonderful property of time coding life. At first, I thought maybe that was because music is released over time, but I think that is only a partial contributor. This would be most noticeable if you are a fan of contemporary music, regardless of genera. I am a sucker for pop hits, and so for me, it is very obvious that what I am listening to is associated with different periods of time, because the music itself gained popularity over the course of a specific year. I like a lot of music and tend to experience it in bursts, almost obsessively. When this happens the music is not specific to a time period. Usually, it is music that someone has shared with me and was good enough to not put down. So, the other part of associating music with life is tied to the act of listening enough to imprint the experience alongside memories.

I can revisit a feeling or memory just playing a tune, like Ella Fitzgerald singing Baby its cold outside with Louis Jordan. It takes me back to a winter season about the same time the movie Elf came out – which had a fun rendition of the duet. Another example is the first time I heard Father and son by Cat Stevens. I was in Switzerland, coming down from hiking glaciers in the Alps, heading toward the hostel in the town of Interlaken. A friend had told me find her bag and borrow her cassette mix. I cannot recall all of the songs, but I know them when I hear them. The memories are strong enough that I know how I felt listening to them and the excitement of having connected with a life-long friend. Most recently, I have been obsessed with the same few songs, one in particular, Major Label Debut by Broken Social Scene. I am sure years from now this song, along with others, will let me recall this time, this year.