The following presentation photographs in a working series titled “Nodes.” They represent select captures of a performance mixing water, oil, vinegar and soap. The evolution of the act sets out a beginning middle and end. Some echo the qualities of computer graphics or fine illustration, other of planetary bodies and petri dish activity. These photographs were taken with a Canon EOS 30D, Canon MP-E 65mm f/2.8 1-5x Macro Photo and Canon Macro Twin Lite MT-24EX.
Riding the subway home from Manhattan, I was thinking about visual images that might suggest “clean.” In my mind’s eye, the work of Masahiro Mori came to view – I have a collection of his porcelain mugs. Mori is a great industrial designer, known for his beautiful modern work. The image below offers you access to selected images from my makeshift kitchen studio.
Chris Chase, a neuropsychology professor back in college, enjoyed introducing concepts with the notion that humans are more alike than they are different. It is a useful foundation for deciding what is important to study, fundamentals that apply to everyone or the anomalies, certainly not unimportant, just narrow. And yet, humans are fascinated with differences and in particular our faces and our bodies.
Slavko Milekic, the chair of my undergraduate thesis on child friendly interfaces, evolved the face flipbook into kid-friendly touch-screen interfaces. Earlier on, in a self-study project I implemented the more traditional version of a face flipbook, allowing someone to switch parts of faces but in a more literal representation to the kid books I grew up with.
Reminder: There are too many examples of literal expression in virtual spaces that fail. It amazes me that we tend to not take on the larger challenges of inventing something new instead of replicating what we know.
Slavko introduced gesture and touch based interactions to the traditional computing environment enabling object switching, size shape and position. Certainly one of his successful creations was that of assembly of faces out of a variety of common objects like vegetables. Even at a young age, even when working with vegetables – something often seen as a challenge for children – we are fascinated with the construction of human form.
Move to the more taboo example of human nudity in art or even pornography. There are books dedicated to human genitals – again, the differences. Even when considering the world of fantasy and identity, nudity and pornography depict other people doing things that you yourself could do, by yourself, with others you know and increasingly others you do not know. So why that fascination, if not for the differences. What is it like to see an attractive someone with a certain set of features? It is all about the distinguishing marks, regardless of it being labeled art or smut.
My recent move back to New York City, more specifically Brooklyn, reminded me of the diversity I missed. A great Walt Whitman quote on a Barnes & Noble ad in my subway car read,
Stranger, if you passing meet me and desire to speak to me, why should you not speak to me? And why should I not speak to you?
That must be what outgoing is, talking to the diversity around you instead of just observing. But, in fact, almost no one speaks to strangers – we even teach our children not to. However, everyone has the pleasure of enjoying diversity visually at fire hose volume in New York City and for me on my morning commute on the F train.
Professor Chase is still right, we are more alike than we are different and while we are consumed by those curious differences, I posit that our fascination exists because our distinguishing marks appear on a relatively common canvas.
Josef Albers’ book, The Interaction of Color, was my first real look at color. Ever since I have been eyeing original silk-screens and playing with color. In a first exploration, I dusted off my Macromedia Director hat and threw together a simple visualization to explore color blending, mottling and motion.
The algorithm is pretty simple: given the surrounding boxes, average their colors to determine the current box’s color. On a 10 x 10 matrix, I introduce two pebbles to drop in the pond, one is under the user’s control and the other is related, moving opposite to first and controlled by the computer. Each square has determined a random color and clicking on a given box will reassign it another color. The order in which you calculate the average impacts the visualization – consider that each square is an object, completely self-sufficient. To provide a little more interest, I have forced the rendering to occur around the vertical mid-point.
