Posts Tagged: Color


20
Jul 09

Obsessing on color: Getting i1Display to calibrate dual-display video

Color calibration is one of those things that you buy relatively expensive gadgets to asses and correct deviations in visual displays. If you care about your digital imaging process, calibration is critical – buying the gadgets that help simply provide a piece of mind that what you see is as close to what it should be as possible. Add an extra display, as I did, and suddenly you are thrown into the depths of color correction. You never knew how different displays could be.

I use an Eye-One Display 2 by GreytagMacbeth on my two Lenovo ThinkVision L201p displays driven by an NVIDIA Quadro4 980 XGL. Xrite, the owners of GreytagMacbeth recommend using two different video cards as not many dual-display cards allow different profiles to be applied independently. They rely upon the underlying operating system to automate the monitor selection and profile setting. Naturally, Microsoft has a utility that will allow you to apply a different color profile for each display attached to a given system. That is where their guidance stops.

If you have tried this yourself, one of the things you will notice is that simply setting the “primary display” setting on your display properties control panel doesn’t do the trick.

Microsoft Windows XP Display Properties

This will tell the i1Match software where the i1Display 2 device is, but from what I can tell, it continues to work with the other display’s color profile. At first, I thought it was enough to save the different profiles out with different names and then activate them with Microsoft’s Color Control Applet. Short answer, is that the two displays looked wildly different. Here is what I did to get it all working.

Calibrating two displays driven by the same video card with the i1Display 2

First, download the Microsoft Color Control Panel Applet for Windows XP (that’s what I run so maybe there is something else for other versions of Windows).

Second, calibrate you first monitor. I use the i1Match Software that came with my i1Display 2.

Third, save the profile with a name that will indicate which display it is for. For example, “Monitor_6-29-2009_Full_Left.icc”. This tells me not only the date, but how much of the calibration process I followed and for which monitor, in this case, the left one.

Fourth, swap your monitor cables. I know, so simple! Repeat steps 2 and 3.

Fifth, swap your monitor cables back.

Sixth, open up the Microsoft Color Control Panel Applet and assign the new color profiles to your displays. iMatch Software will have certainly screwed this part up, so remove all the profiles that are no longer relevant. Assigning a profile to a display is easy after you have “added” it to the possible selections.

Microsoft Color Control Applet

At this point, your displays are calibrated. A simple verification test is opening a photograph and dragging it across the displays to notice any variations. This is what let me know there was a problem the first time, one was noticeably warmer than the other. After following the above, each represents the image the same way – let us hope faithfully!


14
Oct 07

Who is colorblind now?

Adobe Lightroom was one of my last purchases in support of my relationship with photography. It has literally transformed how I approach managing my photos. While it is not a replacement for Photoshop, it is its best compliment.

Last week I hopped over to B&H after work and picked up a GretagMacbeth, now xrite, i1Display2 monitor calibrator. I have been on the fence about color calibration – especially since to do it right requires a substantial investment. Monitor calibration is a first step to a commitment to color. If you have never experienced the difference of a color calibrated display you will be in for a treat. Once you are calibrated, you might think that the only pleasure you get is when you recalibrate, but as you work with images, you constantly remember that the color you see is consistent with what the color data in your files and that is amazingly satisfying.

Just after you calibrate you are sure to open up a recent photograph that you spent time adjusting – setting the white balance, highlight recovery and color – and you notice that what you have is markedly different than you remember. I was not disappointed by what I found, the shadows revealed richer transitions from light to dark and variations of color that were there but unseen. While I am not unhappy with the photo, it is different from my original intention, which is exactly why calibration is important. If you spend any time investing in the post processing of your photographs, then display calibration is the minimal investment required to avoid wasting your energy in getting things just right. Unfortunately, only color corrected systems get to see what I see, but that is okay because what you cannot see is your unknown problem. Web browsers are in general color limited, but when I make a print it will be closer to what I know to be true.

Color swatches and profile from laptop


10
Sep 06

Interacting with color

Josef Albers’ book, The Interaction of Color, was my first real look at color. Ever since I have been eyeing original silk-screens and playing with color. In a first exploration, I dusted off my Macromedia Director hat and threw together a simple visualization to explore color blending, mottling and motion.

The algorithm is pretty simple: given the surrounding boxes, average their colors to determine the current box’s color. On a 10 x 10 matrix, I introduce two pebbles to drop in the pond, one is under the user’s control and the other is related, moving opposite to first and controlled by the computer. Each square has determined a random color and clicking on a given box will reassign it another color. The order in which you calculate the average impacts the visualization – consider that each square is an object, completely self-sufficient. To provide a little more interest, I have forced the rendering to occur around the vertical mid-point.

Sample output from my experiment

Clicking on the image will launch the Shockwave version.