Posts Tagged: Photography


15
Sep 08

Where did the time go?

The last few months have been a non-stop twister. While my monthly blog posts languished, I was busy scouting interesting flowers and insects in my backyard. Respecting the advice of those far better at macro photography, a couple months ago, I purchased a Canon MP-E 65mm 1-5x macro lens. If you do your research, you will hear people saying to avoid this lens if you have not shot macro before. People comment on the amount of patience you need to capture a good shot. There are even people that revel in not cropping their photographs, which is a subtle way of highlighting how skilled they are. Pick up any decent book on macro photography and you will read about the special support systems and need for a tripod. Search the web and you will find people talking about hand holding compensating with a decent flash system. The MP-E is a manual lens and unlike a zoom where focus can stay constant the duration of the focal range, this lens is best focused by selecting the desired magnification and then moving back and forth until the desired subject and composition are struck. It is to say the least the biggest departure from common photography.

Macro photography is exciting. There is an endless cast of characters everywhere. You end up training your eye to notice the smallest of specks that might contain a different world. Hand held shooting at higher magnifications takes every ounce of concentration and muscle control. It is very much like small-bore rifle competition where the scopes are often high-power fixed magnification and the target is all of a dot. All of the movement a competitor sees is real, but exaggerated. All the same preparation and breathing techniques apply to macro photography – without them it is easy to see why this is a daunting venture.

I am not really an insect person. They do make for interesting subject matter. Insects are constructed so intricately and their behaviors and patterns are mesmerizing.  Shots with the MP-E are done under 5 inches and often around 1.5 inches. That means any fears, skittishness or intolerance of bug bites need to be overcome. It is in its own way therapy for a somewhat irrational worldview.

If you are looking for a meditative escape that changes your perspective and forces you to deal with yourself, Canon’s MP-E could be the answer.

Clicking on the image below will take you to a slideshow of my recent macro work. You will see my progression through my first four weeks and then two ventures outside my backyard in St. Lucia and Dayton, Ohio.


13
Jan 08

Photo albums are all but dead

Photo albums used to be the family bible, visually recording the event of people, places and events. It required the acts of photographer, editor and album constructor. It was a labor of reminiscence and duty. As the holder of the photos and the negatives, only they had the artifacts to construct the story. As viewers we enjoy impressions among the context, artifacts of a trip are embedded, mementos of the event. The event of constructing the photo album is all but dead – it too has been abstracted.

The transformation of the photographic world to a digital reality moved the activity of album construction to the computer. Initially people focused on recreating what they had in the real world, the physical photograph. It turned out that it was more expensive per print than traditional means, but the rationale was that someone only printed what they wanted. Enter stage right, the photo editor who traditionally used contact sheets or prints now filtering with computer screens and postage stamp LCDs on cameras. Dramatically reduced, the cost to take pictures results in higher volumes of images for review, the editor continues to filter. Photos, now files, need to be backed up to CD, DVD or external storage. To work with photos beyond the basics requires software of all shapes and sizes that helps make the most of where we have evolved to be. We live in an age of visual abundance, requiring constant editing, leaving the activity of visual story telling to the dedicated few.

Forget not the magic of the Internet! Enter stage right, jogging next to digital cameras, photo-sharing websites. While the photo album continues to be nourished by older generations, the common people are looking to recover the social aspect of their visual record. The current state of the art is Flickr. Heavily edited, socially aware photo sharing, with family, friends and everyone. Screen shot of my Flickr sets The construction of the Flickr account requires the same photographer, editor and album constructor, but add to it uploader, annotator, taxonomist, commentator, moderator and more. Image distribution casts a wider net. Instead of just family and friends physically present with the photo album, anyone can browse the gallery and experience a different kind of story, one favorited and commented by the known and unknown. This introduces two pressures. First, who has access to someone’s images what and do they care. Second, these photos are a representation of someone’s impressions and moreover their view – the editing they applied to select a specific set of photos for others to experience. Now that literally everyone sees them, what is it that they intended to say? Filter, filter, filter. Far fewer images are seen and when they are, they lack the context of the human touch that made photo albums something of reverence and reminiscence. Just over the hill, on the other side of the coin, everyone enjoys the endless visual content that the society has constructed, defining the societal view and the visual trend. The slow death of the analog photo album leaves us somewhere different.

Digital photo frames reintroduce the album in a Harry Potter device. Pictures often cycle through allowing the viewer to see more than a single photo. The i-mate Momento 100 is a ten-inch digital photo fame that is wifi-connected and mates with an online service to bring much, much more to photo frames. Any shortcomings are quickly forgotten when someone experiences the magic. Momento Live is the site that mates with the frame allowing the frame’s owner to subscribe to feeds, Flickr or others, and have those photos automatically downloaded and updated on the frame. Screen shot of Momento Live web siteIn addition, the frame has an email address and MMS interface. Send an email with a photo attached and the image graces the frame. The owner is no longer the album creator. People of their own selection enter the mix. Add a Flickr feed generated from a search and view endless images of <insert keywords here> by people you may never know. The Momento points in the direction of recapturing and evolving society’s notions of the photo album, the photo sharing experience. The frame becomes the magical portal into moments experienced by the individual and others, remixed to impress upon the viewer. If only we were able to capture the human touch and replay that. The story is becoming more interesting, but lacks the meaningful connections people create when they share face-to-face.

Send a photo to my Momento!


20
Oct 07

Feeling organic with Masahiro Mori

Riding the subway home from Manhattan, I was thinking about visual images that might suggest “clean.” In my mind’s eye, the work of Masahiro Mori came to view – I have a collection of his porcelain mugs. Mori is a great industrial designer, known for his beautiful modern work. The image below offers you access to selected images from my makeshift kitchen studio.

Screen shot of Hakusan Interpretation gallery.


14
Oct 07

Who is colorblind now?

Adobe Lightroom was one of my last purchases in support of my relationship with photography. It has literally transformed how I approach managing my photos. While it is not a replacement for Photoshop, it is its best compliment.

Last week I hopped over to B&H after work and picked up a GretagMacbeth, now xrite, i1Display2 monitor calibrator. I have been on the fence about color calibration – especially since to do it right requires a substantial investment. Monitor calibration is a first step to a commitment to color. If you have never experienced the difference of a color calibrated display you will be in for a treat. Once you are calibrated, you might think that the only pleasure you get is when you recalibrate, but as you work with images, you constantly remember that the color you see is consistent with what the color data in your files and that is amazingly satisfying.

Just after you calibrate you are sure to open up a recent photograph that you spent time adjusting – setting the white balance, highlight recovery and color – and you notice that what you have is markedly different than you remember. I was not disappointed by what I found, the shadows revealed richer transitions from light to dark and variations of color that were there but unseen. While I am not unhappy with the photo, it is different from my original intention, which is exactly why calibration is important. If you spend any time investing in the post processing of your photographs, then display calibration is the minimal investment required to avoid wasting your energy in getting things just right. Unfortunately, only color corrected systems get to see what I see, but that is okay because what you cannot see is your unknown problem. Web browsers are in general color limited, but when I make a print it will be closer to what I know to be true.

Color swatches and profile from laptop


27
Aug 06

PepsiCo. Sculpture Garden: A first slide show with SlideShowPro

I am always in the throws of the dilemma to share photographs. I tend to the side of the perfectionist, which means I spend an enormous amount of time with photographs I care about. This makes it prohibitive for me to start the activity of sharing photos, something I actually adore. Another aspect is protecting, what is in some cases my art. I know as well as anyone, once on the Internet, it is like an open market. In addition I am unhappy with the open-source photo gallery experience. Short of Flickr‘s other social aspects, none of them really excite me. So, I shelled out $20 for Slide Show Pro, a photo gallery viewer created in Macromedia Flash. It pulls in an XML file and dynamically renders a collection. Check out my first slide show of photographs taken back in July 1, 2006. They are from the sculptures that surround the PepsiCo. headquarters in Purchase, New York.

Screen shot of PepsiCo. Gallery in SlideShowPro